Madonna Inducted Into the Rock and Roll Hall of Fame

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Madonna, pop music’s quick-change artist, was inducted into the Rock and Roll Hall of Fame on Monday and paid tribute to people who encouraged her and even critics who panned her for helping drive her career.
Heartland hitmaker John Mellencamp, with his son Speck playing guitar and his parents watching from a balcony above the Waldorf Astoria Hotel ballroom, joined the rock-kicking with a rumbling version of “Authority Song.”
“I wrote this song, and I still feel the same way today as I did when I wrote it 25 years ago,” Mellencamp said.
Philly soul producers Kenny Gamble and Leon Huff, literate songwriter Leonard Cohen, British rockers the Dave Clark Five, and surf instrumentalists the Ventures were among the other inductees.
Madonna recalled a teacher who encouraged her to follow her dreams when she was only 14.
“Thirty-five years later, people are still encouraging me to believe in my dreams,” she said at the induction ceremony. “What more could I ask for?”
Even the people who “said I was talentless, that I was chubby, that I couldn’t sing, that I was a one-hit wonder, they helped me, too,” she said. “They inspired me because they made me question myself repeatedly and pushed me to be better.”
Singer Justin Timberlake, who helped produce Madonna’s upcoming album, inducted her with an innuendo-laden speech.
“The world is full of Madonna wannabes. I might have even dated a couple,” said Britney Spears’ ex. “But there is truly only one Madonna.”
Timberlake told of how he felt ill one day while working on Madonna’s new album and she asked whether he wanted a B-12 shot. He said sure, expecting a doctor to show up, but Madonna pulled out a syringe and said, “drop ‘em.”
After he pulled his pants back up, “she looked at me and said, ‘That’s top shelf,’ and that was one of the greatest days of my life,” he said.
“Everything he said is basically true,” Madonna confirmed, “but I didn’t say ‘drop ‘em,’ I said, ‘pull your pants down.”
Madonna didn’t perform but asked punk rockers Iggy Pop and the Stooges to sing “Burning Up” and “Ray of Light.”
At the end, a shirtless Pop said, “you make me feel shiny and new, like a virgin touched for the very first time,” and tossed his microphone to the floor.
Mellencamp talked of having surgery for spina bifida when he was 6 weeks old, saying doctors were worried he would be paralyzed below the neck. The 56-year-old rocker said he never knew of the surgery until his teen years, when a classmate asked him about the scar behind his neck.
His grandmother always whispered in his ear, “Buddy, you’re the luckiest boy alive.”
“I’m lucky to be standing here for any number of reasons,” said Mellencamp, a heart patient who snuffed out a cigarette as he took the stage.
Fellow Hall of Fame member Billy Joel, who inducted Mellencamp, said, “You scared us a couple of times when we thought we might have lost you a couple of times, even though it might have been a good career move.”
The world needed Mellencamp’s voice, he said.
“They need to hear somebody out there feels like they do, in the small towns or the big cities,” Joel said. “And it doesn’t matter if they hear it on a jukebox in a gin mill or on a … truck commercial.”
Gamble, taking the stage with his longtime partner, invited the audience to answer back his wish for “peace.”
“Thank you so much, because that’s exactly what our music represented,” Gamble told the people gathered at the famed hotel for the annual ceremony, televised on VH1 Classic.
Patti LaBelle performed a chandelier-shaking rendition of “If You Don’t Know Me By Now” to introduce Gamble and Huff. The songwriters and producers created a lush, melodic brand of soul known for their hometown and performed by a variety of artists.
Gamble cited one: Billy Paul’s tale of the adulterous affair in “Me and Mrs. Jones.”
“There’s a little ‘Me and Mrs. Jones’ going on here in New York,” he said to laughter, hours after New York Gov. Eliot Spitzer was said to have hired a prostitute.
He dispelled one rumor. The song “MFSB” stood for mother, father, sister, brother, he insisted. For years, others let their imaginations run wild with the initials.
One odd sign of the times: among the favors distributed to guests at Monday’s dinner was a box of 30 blank CDs, presumably so people wouldn’t have to worry about buying CDs anymore.
The Ventures excelled at what is almost a forgotten art in rock music - the instrumental. Nokie Edwards’ twangy guitar gave the band its distinctive sound. They performed their first hit, “Walk, Don’t Run,” and “Hawaii Five-O.”
John Fogerty recalled how he and fellow members of Creedence Clearwater Revival used to hang out in a garage learning the Ventures’ songs.
“When the Ventures first hit the radio, I would say I was gone,” Fogerty said. “The Ventures went on to record 250 albums. Think about that. These days, some of us would be happy to sell 250 albums.”
Cohen, a Canadian, is one of music’s most highly regarded, if not best-known, songwriters, through pieces like “Suzanne” and the much-covered “Hallelujah.” Damien Rice sang the latter song in tribute.
Lou Reed, who was inducting Cohen, carried a sheaf of papers to the stage and read several examples of Cohen’s lyrics.
“We’re so lucky to be alive at the same time Leonard Cohen is,” Reed said.
Cohen, dressed in a black tux, recited the lyrics to his song “Tower of Song” in a hushed voice.
“This is a very unlikely occasion for me,” he said. “It is not a distinction that I coveted or even dared dream about.”
The Dave Clark Five followed the Beatles in the original British Invasion, with catchy hits including “Glad All Over.” Led by drummer and songwriter Clark, the band enters the hall at a tragic time: singer Mike Smith died at age 64 of pneumonia less than two weeks ago.
Actor Tom Hanks paid tribute to the band, recalling times he watched it on “The Ed Sullivan Show.” Joan Jett, Fogerty and Mellencamp played “Bits and Pieces” and “Glad All Over.”
Little Walter, who died in 1968, joins the hall in its sidemen category. He recorded frequently with Muddy Waters in the 1950s.
“He defined an instrument, he defined a sound, he defined a genre,” musician Ben Harper said of Little Walter.

via AOL

New York - Admit it. When Madonna was writhing around onstage in a wedding gown to “Like a Virgin” years ago, the last place you’d expect to see her was in something called the Rock and Roll Hall of Fame. Time has a way of changing things. On Monday, Madge will come to the stage of the Waldorf-Astoria to accept enshrinement. Classmate John Mellencamp, who also churned out hit after hit in the 1980s, will join her.

The Dave Clark Five, whose lead singer Mike Smith died of pneumonia on February 28, are being inducted as well as Philly soul legends Kenny Gamble and Leon Huff, Canadian songwriter Leonard Cohen, surf rockers the Ventures and blues harmonica ace Little Walter.

But Madonna?

She’s the pre-eminent pop star of her generation, who stayed a step ahead of trends while adding in shock value to keep herself in the news. Along the way she’s made sturdy, state-of-the-art pop such as “Material Girl,” “Crazy For You,” “Papa Don’t Preach,” “Cherish,” “Like a Prayer,” “Vogue” and “Ray of Light.”

Yet “if you think of rock ‘n’ roll, Madonna is not the first name that comes to mind,” said Steve Morse, longtime Boston Globe music critic who was a member of the hall of fame’s nominating committee for seven years.

He considers her selection, particularly in her first year of eligibility, an embarrassment.

Her music was never played on rock ‘n’ roll radio, he said. Some veteran rock artists like Deep Purple, the J. Geils Band, Steve Miller and Alice Cooper are still waiting for induction. Morse long and unsuccessfully argued on behalf of the late Gram Parsons.

“It seems like this is driven by commercial achievement and sales, rather than having anything to do with the rock ‘n’ roll genre,” Morse said. “It’s really a commercial move. They’ll be able to sell more tickets to the museum and more people will watch the broadcast.”

With rock’s founding fathers already in the hall, the museum has broadened its meaning of rock ‘n’ roll to include rap and pop artists. Grandmaster Flash last year became the first hip-hop artist to make it.

Madonna, who declined interview requests, will answer on Monday night.

She’s being inducted by Justin Timberlake. And unlike many contemporary artists - Madonna’s new album, “Hard Candy,” is dropping April 29 - she’s not scheduled to perform. Instead, she chose Iggy Pop, the ultimate crawl-around-on-glass punk rocker who shares her Michigan ancestry, to salute her work.

Tom Hanks will induct the Dave Clark Five, the ’60s British pop band behind the hit “Glad All Over.” Billy Joel will give the speech for Mellencamp, and Lou Reed speaks on behalf of fellow literate songwriter Cohen.

For the second straight year, VH1 Classic will show the induction ceremony live at 8:30 p.m. EDT.

(Copyright 2008 The Associated Press. All rights reserved. This story may not be published, broadcast, rewritten or redistributed without the prior written authority of The Associated Press.)

via MSN

Disney Studios Going To Bring Out Animation In Tokyo

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TOKYO (AP) - Entertainment giant Walt Disney Co. will team up with several Japanese companies to produce animated features in Japan, a leading market for such films, a Disney official said Thursday.
Disney will work with Toei Animation Co., Madhouse Co. and Jinni’s Animation Studios, the official said, speaking on condition of anonymity because she was not authorized to talk to the media.
The Nikkei, Japan’s leading business daily, reported the move was aimed at bolstering Disney’s efforts to gain wider acceptance of its animated programming in Asia. The company official declined to provide details.
With Madhouse, Disney will produce a TV program “Stitch!,” an offspring of the Lilo & Stitch series, to be aired in Japan, the official said. With Jinni, Disney will make a short animation film “Fireball,” she said.
The official could not provide further details on programming, referring queries to a public relations official who was not immediately available.
The Nikkei said the partnerships would allow Disney to tap local talent and computer graphics technology to produce programs targeting audiences in Japan and elsewhere in Asia.
These programs will be broadcast via satellite and terrestrial channels, but Disney will also look into delivering content to mobile phones, the report said.
Disney has its own animation and movie channels in more than 100 countries, including Japan, where it launched Disney Channel in 2003. The company also started offering a cellular phone service here this month.
The Nikkei said Toei Animation will tap Disney’s distribution network to expand its overseas reach.
Disney, based in Burbank, Calif., will continue to look for partners, but it doesn’t have plans for any acquisitions or capital tie-ups for now, the Nikkei said.
For Disney, a longtime producer of hit shows in the U.S., this will mark the first time that it has gone offshore with the core production processes for major programs, the report said.
The studio has tried to penetrate the global animation market by exporting programs, but has concluded that production should be localized from scratch so that its shows will be widely accepted in different countries and cultures, according to the Nikkei.

by AOL

TOKYO (AFP)–U.S. entertainment giant Walt Disney said Thursday it would produce cartoons in Japan in tie-ups with the country’s famed animation industry in a rare bid to adapt to regional tastes.

The company that turned Mickey Mouse and Donald Duck into global icons has traditionally distributed the same US-made films around the world.

Walt Disney Co. (Japan) said it would start by making a short children’s animation series in Japan using three-dimensional computer graphics.

The series, entitled “Fireball,” will feature robots in the distant future and start airing in April, company officials said.

“We aim to provide products that match the taste of the local market,” said Mariko Hisamitsu, a Disney Japan official in charge of the television business.

“We have few precedents for localization,” she told AFP. “Disney characters are well recognized in Japan and we believe providing contents catering to consumers is necessary to expand the market.” Joining hands with mid-sized studio Madhouse Ltd., Disney will also launch a Japanese version of the popular U.S. “Lilo and Stitch” series in October, Disney said.

The original series related the bonding between the orphan girl Lilo and a little blue alien named Stitch on the lush Hawaiian island of Kauai.

The adaptation will feature a Japanese girl and be set on a fictional island in Japan’s subtropical southern chain of Okinawa.

While the main market is Japan, Hisamitsu said it was possible that the productions would be exported to other Asian countries, although nothing had been decided.

Films will be produced in Japan using local animation creators and computer graphics specialists and won’t be outsourced to other Asian countries, she said.

Despite the international reputation of “anime” or “Japanimation,” Japan’s rank-and-file animators are facing growing workloads and stagnant wages as they face stiff competition from cheaper labor elsewhere in Asia.

Japan’s top art school, Tokyo National University of Fine Arts and Music, is to open a two-year graduate course in April in a bid to “nurture revolutionary creators” for the nation’s animation industry.

The course, the first at a state-run Japanese university focused on “manga” cartoons or animation, drew more than twice as many applications as the maximum 16 seats available, according to the university.

The most celebrated maker of Japanimation is Hayao Miyazaki, whose “Spirited Away” won the Academy Award in 2003 for best animated feature, Japan’s first Oscar for a full-length work in nearly half a century.

Miyazaki’s Studio Ghibli - which also produced international hits such as ” Howl’s Moving Castle” - said it was aware of the move by Disney but had no comment.

Disney has a long-standing fan base in Japan. Tokyo Disneyland opened in 1983 as Disney’s first theme park outside the U.S. and visits there have almost become a rite-of-passage for Japanese children.

Seeking to take advantage of Disney’s popularity in Japan, the company entered the tough cellular phone market this month in cooperation with Softbank Corp.

The mobile service, which features Disney characters, comes even though Disney withdrew from the cellular business in the U.S..

Hisamitsu said Disney has yet to decide on any cooperation between the localized animation series and mobile business.

(END) Dow Jones Newswires 03-06-08 0247ET Copyright (c) 2008 Dow Jones & Company, Inc.
by CNN